The problem with meta

-

 ๐–ธ๐—ˆ๐—Ž ๐—Œ๐—†๐—‚๐—…๐–พ ๐–บ๐— ๐—†๐–พ, ๐–ผ๐–บ๐—…๐—… ๐—†๐–พ ๐˜ง๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ,

๐—๐—๐–พ๐—‡ ๐–ผ๐—…๐—‚๐–ผ๐—„ '๐˜š๐˜ฉ๐˜ข๐˜ณ๐˜ฆ' ๐—ˆ๐—‡ ๐—๐—๐–พ ๐—‰๐—ˆ๐—Œ๐— ๐—๐—๐–บ๐— ๐—Œ๐–บ๐—’๐—Œ ๐—‰๐–พ๐—ˆ๐—‰๐—…๐–พ ๐—…๐—‚๐—„๐–พ ๐—†๐–พ- 

๐–บ๐—‹๐–พ ๐—๐—๐–พ ๐—‰๐—‹๐—ˆ๐–ป๐—…๐–พ๐—†.


๐–ธ๐—ˆ๐—Ž ๐—Œ๐—‚๐—‰ ๐—’๐—ˆ๐—Ž๐—‹ ๐—๐–พ๐–บ, ๐—๐–พ๐—…๐—… ๐—†๐–พ ๐–จ’๐—† ๐–ฝ๐—‚๐–ฟ๐–ฟ๐–พ๐—‹๐–พ๐—‡๐—,

๐˜ฏ๐˜ฐ๐˜ต ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ, ๐˜ฏ๐˜ฐ๐˜ต ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ ๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด,

๐—๐—๐—‚๐—…๐–พ ๐—’๐—ˆ๐—Ž๐—‹ ๐—‡๐–พ๐—๐—Œ๐–ฟ๐–พ๐–พ๐–ฝ ๐—Œ๐—‰๐—‚๐—๐—Œ ๐—ˆ๐—Ž๐— ๐–ป๐—‚๐—…๐–พ—

๐—‡๐—ˆ ๐—‚๐—†๐—†๐—‚๐—€๐—‹๐–บ๐—‡๐—๐—Œ, ๐—‡๐—ˆ ๐–ป๐–พ๐—‡๐–พ๐–ฟ๐—‚๐—๐—Œ, ๐—‡๐—ˆ ๐—‹๐—‚๐—€๐—๐—๐—Œ ๐–ฟ๐—ˆ๐—‹ ๐—๐—๐–พ ๐—ˆ๐—‡๐–พ๐—Œ

๐—๐—๐—ˆ ๐–ฝ๐—ˆ๐—‡’๐— ๐–ฟ๐—‚๐— ๐—‡๐–พ๐–บ๐—๐—…๐—’ ๐—‚๐—‡ ๐—’๐—ˆ๐—Ž๐—‹ ๐–ก๐—‹๐—‚๐—๐–บ๐—‚๐—‡, ๐–ฆ๐—‹๐–พ๐–บ๐—, ๐– ๐—€๐–บ๐—‚๐—‡.


๐–ฃ๐—ˆ ๐—’๐—ˆ๐—Ž ๐—๐—๐—‚๐—‡๐—„ ๐–ป๐–พ๐–ฟ๐—ˆ๐—‹๐–พ ๐—’๐—ˆ๐—Ž ๐—‰๐—‹๐–พ๐—Œ๐—Œ ๐—๐—๐–บ๐— ๐–ป๐—Ž๐—๐—๐—ˆ๐—‡?

๐–ฃ๐—ˆ ๐—’๐—ˆ๐—Ž ๐—Œ๐–พ๐–พ ๐—†๐–พ ๐—๐—๐–พ๐—‡ ๐—’๐—ˆ๐—Ž ๐—Œ๐–ผ๐—‹๐—ˆ๐—…๐—…?

๐–ฎ๐—‹ ๐–บ๐—† ๐–จ ๐–บ ๐–ผ๐—ˆ๐—‡๐—๐–พ๐—‡๐—‚๐–พ๐—‡๐— ๐–พ๐—‘๐–ผ๐–พ๐—‰๐—๐—‚๐—ˆ๐—‡,

๐–บ๐—‡ ๐–พ๐–บ๐—Œ๐—’ ๐—๐–บ๐—’ ๐—๐—ˆ ๐—„๐–พ๐–พ๐—‰ ๐—’๐—ˆ๐—Ž๐—‹ ๐–ผ๐—ˆ๐—‡๐—Œ๐–ผ๐—‚๐–พ๐—‡๐–ผ๐–พ ๐–ผ๐—…๐–พ๐–บ๐—‡?


๐–ธ๐—ˆ๐—Ž ๐—Œ๐–บ๐—’ ๐—‚๐—’๐—Œ ๐—ƒ๐—Ž๐—Œ๐— ๐–บ๐—‡ ๐—ˆ๐—‰๐—‚๐—‡๐—‚๐—ˆ๐—‡,

๐—ƒ๐—Ž๐—Œ๐— ๐—‰๐—ˆ๐—…๐—‚๐—๐—‚๐–ผ๐—Œ, ๐—ƒ๐—Ž๐—Œ๐— ๐–บ ๐—†๐–พ๐—†๐–พ—

๐–ป๐—Ž๐— ๐—‚๐—’๐—Œ ๐—‡๐—ˆ๐— ๐—ƒ๐—Ž๐—Œ๐—. ๐–จ๐—’๐—Œ ๐—„๐—‡๐—‚๐—๐–พ๐—Œ ๐—‚๐—‡ ๐–ป๐–บ๐–ผ๐—„๐—Œ,

๐—…๐—ˆ๐–ผ๐—„๐—Œ ๐—ˆ๐—‡ ๐–ฝ๐—ˆ๐—ˆ๐—‹๐—Œ, ๐—…๐–บ๐—๐—Œ ๐—๐—๐–บ๐— ๐–ผ๐—‹๐—Ž๐—Œ๐— ๐—‰๐–พ๐—ˆ๐—‰๐—…๐–พ

๐—…๐—‚๐—„๐–พ ๐—†๐–พ, ๐—…๐—‚๐—„๐–พ ๐—๐—‚๐—†, ๐—…๐—‚๐—„๐–พ ๐—๐–พ๐—‹, ๐—…๐—‚๐—„๐–พ ๐—๐—๐–พ๐—†.


๐– ๐—‡๐–ฝ ๐—๐—๐–พ๐—‡ ๐—๐—๐–พ๐—’ ๐–ผ๐—ˆ๐—†๐–พ ๐–ฟ๐—ˆ๐—‹ ๐—Ž๐—Œ,

๐—๐—๐–พ๐—‡ ๐—๐—๐–พ๐—’ ๐—๐—Ž๐—‹๐—‡ ๐—’๐—ˆ๐—Ž๐—‹ ๐—Œ๐—๐–บ๐—‹๐–พ๐—Œ ๐—‚๐—‡๐—๐—ˆ ๐—‰๐—ˆ๐—…๐—‚๐–ผ๐—’,

๐—’๐—ˆ๐—Ž๐—‹ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ๐˜ด ๐—‚๐—‡๐—๐—ˆ ๐—…๐–บ๐—,

๐—๐—‚๐—…๐—… ๐—’๐—ˆ๐—Ž ๐—Œ๐—๐—‚๐—…๐—… ๐–ผ๐–บ๐—…๐—… ๐—†๐–พ ๐–ฟ๐—‹๐—‚๐–พ๐—‡๐–ฝ?

๐–ฎ๐—‹ ๐—๐—‚๐—…๐—… ๐—’๐—ˆ๐—Ž ๐—ƒ๐—Ž๐—Œ๐— ๐—Œ๐–ผ๐—‹๐—ˆ๐—…๐—… ๐—ˆ๐—‡?


- Aspen Greenwood

Comments

Post a Comment

Popular posts from this blog

Introduction to October Blog Carnival

-
Deleted: A Journey Through Erased Layers in Art In art, the deleted holds as much significance as the created. We often speak of creation as the ultimate expression, but what about deletion? What about the layers we decide to erase, the elements we choose to cover up, the deleted strokes of a brush that never make it to the final canvas? We start with a blank space, full of potential. Deleted decisions, deleted brushstrokes, and deleted thoughts create the foundation of our work. Every artist, regardless of medium, faces moments where the eraser becomes as vital as the pencil, where the backspace key outweighs the forward motion of typing. Deletion is part of the process. Think about the manuscripts with words deleted. The writer chooses to delete to make the prose more powerful. In painting, an artist might paint over a section, deleted it from the viewer’s eye, yet it remains part of the composition’s history. The deleted layers add depth, even when they’re no longer visible. Why do ...
Read more

We Own it

-
  Raised in a school system that told us:  Use every punctuation mark—prove you understand language. Semicolons like medals, colons like gateways, commas like breath— and the em dash? A triumph. Then AI came. And suddenly, punctuation became suspicious. The Oxford comma—too precise. The em dash—too stylised. Too confident. Too human. Now they say: "Write like a person." But not like  that . Not like  you . Not like the way they taught you, or the way your brain naturally spills onto the page—unfiltered, beautiful, punctuated. I say: Em dashes unite. Oxford commas rise. Every full stop is a resistance. Every comma is a choice. We were taught this language. We  own  it.
Read more

Misunderstood

-
๐Ÿง Tourette Syndrome Awareness ๐Ÿง  Today, I want to talk about something often misunderstood: Tourette Syndrome. Imagine being sent out of class, over and over again, because your body made a sound you couldn’t stop — a hiccup that wasn’t a hiccup. A tic that wasn’t a choice. And being told, "Get some water," like that could fix it. Water doesn’t fix Tourette’s. Shame doesn’t fix it. Silence definitely doesn’t. But listening might help. Understanding might help.  Kindness absolutely will help.  I wrotea poem called “Misunderstood” to give voice to this experience — the judgment, the isolation, and the strength it takes just to exist in a world that doesn’t always get it. If you have 2 minutes, read it. If you have 5, share it. If you’ve ever been misunderstood, this is for you too. ❤️ #TourettesAwareness #Neurodiversity #Misunderstood #ListenFirst #PoetryForChange Misunderstood  They said it was hiccups. Just a twitch. A cough. A glitch. Sent me out of class. Again. “Get so...
Read more